Siman Chung, Countertenor
Siman Chung, countertenor, from Busan, South Korea, spent much of the first half of 2024 at the Metropolitan Opera, where he made his official debut in the very successful Met Premiere of John Adams' EL NINO. In addition, he covered the title role of ORFEO.
Opera Repertoire
Composer | Opera | Role |
---|---|---|
Britten | Midsummer Night's Dream | Oberon |
Dove | Flight | Refugee |
Gluck | Orfeo ed Euridice | Orfeo |
Gluck (Berlioz version) | Orphée et Eurydice | Orphée |
Händel | Giulio Cesare | Sesto |
Händel | Rinaldo | Rinaldo |
Händel | Rodelinda | Bertarido |
Mozart | Mitridate, Re di Ponto | Farnace |
Rossini | Tancredi | Tancredi |
Johann Strauss | Die Fledermaus | Orlofsky |
Concert Repertoire
Composer | Composition | Role |
---|---|---|
Bach | St. Matthew Passion | Alto Soloist |
Händel | Messiah | Alto Soloist |
Press Acclaim
Chung’s acrobatic counter-tenor was ideal, even though this role is most often voiced as tenor in this remounted Paris version (albeit with the overture cut). Chung has a ringing high F, florid ornamentation the likes of which we don’t hear nearly so well sung in North America, and he comes equipped with outlandish lung power and breathing ability.
In title role of ORPHEE, Banff Festival, 2018
Stephan Bonfield, Calgary Herald
The cast could hardly have been bettered. As Orphée, countertenor Siman Chung sizzled with firepower, star power, and every other kind of power. Mr. Chung has a haunting color to his meaty tone, with a thrilling brilliance to his upper range. While he lavished the famous laments with limpid, affecting tone, he also deployed his well-schooled instrument to fine effect as he ripped through spot-on passages of manic coloratura.
In title role of ORPHEE, Banff Festival, 2018
James Sohre, Opera Today
Chung has everything a countertenor brings to a role, the warmth and odd otherworldliness of the unnaturally high tessitura for a male singer, and the power to project passion with volume to spare. His performance was compelling both vocally and theatrically.
In title role of ORPHEE, Banff Festival, 2018
Bill Rankin, Classical Voice North America
As the Refugee, Siman Chung offered a creamy countertenor and a subtle characterization of an indefinably traumatized and disenfranchised man. His desperate yearning to belong was present in his watchful gaze and hopeful body language even when he silently observed the others.
OPERA NEWS-JOANNE SYDNEY LESSNER
South Korean counter-tenor Siman Chung brought a voice of power and emotion to the role of Grifone suggesting readiness for even larger counter-tenor assignments internationally.
operawarhorses.com
Media
Dove sei, amato bene? - Rodelinda - G. F. Händel - Counter-Tenor Siman ChungQuel nouveau ciel pare ces lieux- Orphée et Eurydice, Gluck
Venti Turbini - Rinaldo, Händel
Crude furie degli orridi abissi - Serse, Händel, United Philharmonic Orchestra
L'alma del forte - Orlando finto pazzo, Vivaldi, Korea National Opera
Alla rosa rugiadosa - Orlando finto pazzo, Vivaldi, Korea National Opera
Son reo, l'error confesso - Mitridate, W. A. Mozart
Le Temps des Lilas - E. Chausson
My Life's Delight - R. Quilter
In title role of ORPHEE, Opera Columbus, 2018
In title role of ORPHEE, Opera Columbus, 2018
In title role of ORPHEE, Opera Columbus, 2018
Korea National Opera's production of Vivaldi's Orlando Finto Pazzo in the role of Grifone
Korea National Opera's production of Vivaldi's Orlando Finto Pazzo in the role of Grifone
Korea National Opera's production of Vivaldi's Orlando Finto Pazzo in the role of Grifone
Korea National Opera's production of Vivaldi's Orlando Finto Pazzo in the role of Grifone