“Adam Lau as Oroveso brought feeling and dignity to his characterization. His voice is supple and fluid and made the pain he feels at Norma’s confession palpable as he tries to understand what motivated Norma to turn her back on her religion.”

Edward Reichel, Utah Arts Review

Adam Lau‘s (Oroveso) gorgeous bass voice lends regal command to his role as leader of the druids. He shows the turmoil and absolute heartache of attempting to balance his position as both a father and political leader perfectly.

Jennifer Mustoe, Front Row Reviewers Utah

“Adam Lau as Kōbun Chino Otogawa has a wonderful, rich, and clear bass sound and his comedic timing is spot on.”

Molly Cassidy, Drama in the Hood

“...the superb bass ADAM LAU as Creon. Lau made a strong impression!”

Brian Kellow, OPERA NEWS

“Adam Lau’s BRILLIANT Mephistopheles. whose bold, dramatic singing off-book characterized the diabolic intent to drag the old scholar out of his study!”

THE DAMNATION OF FAUST, Royal Liverpool Philharmonic

The Guardian, Alfred Hickling

The strongest of them was Lau, which was probably just as well, since his airs tend to have the strongest dramatic impact. His committed internalization of “Why do the nations so furiously rage together” was so strong that he delivered the entire performance without opening his score. ”

Messiah with San Francisco Symphony

SF Examiner

“Also making a stunning impression was thirty-year-old bass Adam Lau, who displayed a uniformly beautiful tone and keen acting skills in Claggart’s aria from “Billy Budd”. Lau’s final “I will destroy you” seemed to hang in the air for some time after he finished singing.”

Brian Kellow, OPERA NEWS

Tai Oney’s puppy-doggish Oronte and Adam Lau’s Berardo had less to do, but each singer delivered the vocal goods convincingly. Lau is a bass to keep an eye on.

Chicago Tribune

Berardo is sung by bass Adam Lau, and he shows wonderful power. Admittedly, here the low beauty of his voice is blessed by being surrounded by an array of very high voices, but he is clearly an outstanding talent.

Broadway World

Bass Adam Lau was an attractive, sympathetic Berardo, the servant who saves Costanza, with an attractive, well-used voice.

St. Louis Today

The best performance was delivered by Adam Lau, an outstanding Alfonso in every sense, vocal as well as theatrical, and stylistically even more accurate than his young colleagues.

Sebastian Spreng KNIGHT ARTS

“…But the real find here was Adam Lau as the philosopher Colline. Lau, has a bass of real quality with sonorous low notes that project admirably. Lau gave an elegant performance of this very brief, but moving aria.”

Greg Stepanich, PALM BEACH ARTS PAPER

“Adam Lau as Don Giovanni’s base servant Leporello was the crowd favorite for his likable mimickry of a contemporary “gangsta rapper” look, while filling the theater with a compelling bass voice. His thuggish coat tugs and streetsmart strut along with his athletic crawling and groveling on the floor added a lot of excitement and humor to the show.”

Beeri Molaem, SAN JOSE CLASSICAL MUSIC EXAMINER

“Three FGO Young Artists gave strong performances… Adam Lau’s deep bass once again delivered power and excellence as the High Priest of Baal.”

Jean François LeJeune, OPERA NEWS

“Adam Lau as The Speaker did not disappoint- again, providing a wise and steadfast bass/baritone. Lau is really a very lovely singer, and I am very excited to watch this young man’s career.”

Judy O. Marchman, OPERAGASM

“Lau rendered a magisterial “Thus saith the Lord” …excitement bristled in Lau’s aria “Why do the nations so furiously rage together.” MESSIAH with MO. JOHN NELSON, CINCINNATI SYMPHONY ORCHESTRA

Mary Ellen Hutton, THE CINCINNATI ENQUIRER

“Adam Lau’s contribution as Colline, gives a hint that his fouth act aria will land, which it does with honor and some Pinza-ish tone. Lau is one Young Artist to watch out for.”

Jeff Haller, CONCERTONET.COM